Vst Plugin To Detect Changes In Waveform Above Threshold

TX16Wx Software Sampler is a plug-in for the creative musician, inspired and modeled after the best hardware samplers with all the ease and new exiting features of modern software. Level - Level of the echo sent back into the plugin. Level can be set to values above 100% (the indicator ring will change from green through orange to red, to warn that additive feedback is now possible). Cutoff - Cutoff frequency of the filter types as listed below. As the filter is.

• Vst Plugin To Detect Changes In Waveform Above Threshold The Number
• Vst Plugin To Detect Changes In Waveform Above Threshold Table

This article provides detailed information on VST plug-in installation paths on Windows. Click here to switch to VST plug-in locations on Mac OS X and macOS. Click here to switch to Locations of internal Cubase and Nuendo plug-ins. First of all, it is important to understand that not all VST plug-ins are being installed into the same folder. Let’s take a brief description of the types of wave auto-tune VST plug-ins. Waves Tune is an auto-tuning plugin developed and designed for pitch correction, and for correctly tuning to a natural taste for creative effects. There are three types of the Waves Tune: 1) Waves Tune Real-Time, 2) Waves Tune and 3) Waves Tune LT. Set the filter to only react to the highest frequencies of the sound. You’ll see the input audio glowing behind the filter, you can use this as a guide to select the relevant frequencies. Set the ratio to around 1:1.5. Change the threshold so the audio you want to effect surpasses the threshold. And finally, The VST 2.x Plug-in; The focus of this article is on that last filter, which has the most potential to improve your audio. But it is a fair bit more complicated than the standard filters. VST stands for “Virtual Studio Technology,” and is a piece of software that runs alongside OBS in this situation. Apart from merely acting as.

A good spectrum analyzer plug-in is essential for letting you know what is going on with your audio.

Even if you have a good monitoring system in your studio, a spectrum analyzer will help you identify potential problem areas in your mix.

Here, we run down some of the best spectrum analyzer VSTs available, giving you a range of potentially useful options.

Other Helpful Posts:

Top 7 Spectrum Analyzer VST Plugins

1. iZotope Insight

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iZotope’s aptly-named Insight gives you a broad overview of the spectral content of your audio while giving you the ability to get as detailed as you wish. It comes with plenty metering options to choose from, that can be customized as you fit, enabling you to use it for any type of session. Whether you simply want to check the spectral balance of your mix or you want to tweak the loudness or intelligibility of specific tracks.

Specs and useful features

Insight lets you visualize audio streams in ways that probably only a few spectrum analyzer plugins can. Unlike other plug-ins that force you into a specific way of working, Insight lets you customize the user interface according to your preferences or the demands of the session.

With Insight, you can choose to display only the meters that you need for any given situation. The interface is resizable as well, so you can keep it fairly compact when your screen gets too crowded. If you want to have visual access to more information, you could simply maximize the interface to occupy the full screen.

Of course, you have a great degree of control over viewing the display as well. You can adjust partition sizes however you want, and each meter even comes with dedicated display settings.

User impressions

“Comprehensive” is one word that is commonly used to describe Insight. It gives users the flexibility to view data however they wish, with zooming, scaling, and even freezing options provided.

The option to choose between 2D and 3D spectrogram displays scored points among many users as well. For users that need the ability to change viewing modes for different projects, Insight stands apart from most other spectrum analyzer plug-ins.

Bottom-line

iZotope’s Insight could very well handle all your spectrum analysis needs and then some. If flexibility and accuracy are your primary concerns–as they should be when shopping for a spectrum analyzer–you can’t go wrong with Insight.

2. NuGen Visualizer

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NuGen’s Visualizer may not be a household name in the world of spectrum analyzer plug-ins, but that in no way indicates any shortcomings on its part. Just as capable as its more popular counterparts, it provides feature-packed tools for analyzing audio and enhancing workflow. Furthermore, Visualizer helps you recreate optimal mix settings and avoid frequently-repeated errors.

Specs and useful features

Visualizer provides a single-screen interface for viewing the frequency content of the audio material. The interface can be resized freely, taking up very little screen space or providing a comprehensive overview as needed. There are also many options to customize the display, and you could switch to any of several views simply by clicking a button.

But it’s what you can do within those views that matter the most. Visualizer has a useful comparison mode that let you view frequency content and other information from two audio channels in a few different ways. You have the option to view both audio tracks overlaid on top of each other, side-by-side, or in a differential display.

Other features–such as the stereo spectrogram, vectorscope, stereo bias meter, and peak hold control–give you a range of options by which to analyze your audio. You can even view frequencies by how they correlate to each other, making it easy for you to identify potential frequency overlaps.

User impressions

Users of Visualizer have found numerous applications for the plug-in, particularly during the mixdown and mastering stages of production. One common application is the examination of the differences that a mastering chain imparts on a mix. The plug-in makes it possible to identify frequency clashes quickly, and the ability to customize the display makes audio analysis both easy and efficient.

Bottom-line

NuGen Visualizer is a powerful and attractive-looking spectrum analyzer plug-in that can handle a multitude of audio-related tasks. It is a good deal more expensive than other plug-ins in its category, but the extra cost is justifiable given its versatility and range of features.

3. MeldaProduction MMultiAnalyzer

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MeldaProduction is known for its high-value plug-ins that provide professional features at a reasonable price point. MMultiAnalyzer upholds the company’s reputation admirably, with a host of features that make it possible to analyze audio and deal with any issues easily and accurately.

With a selection of audio analysis and enhancement features, MMultiAnalyzer enables you to analyze multiple tracks simultaneously. Simply patch in an instance of the plug-in in each track that you want to analyze, and they will detect each other automatically. All data will then be available to all instances of the plug-in.

Specs and useful features

MMultiAnalyzer is more than just a spectrum analyzer plug-in. It also has a built-in sonogram, and collision detection, loudness comparison, and stereo analysis features. Even with all these features, the plug-in never gets too complicated to use. Whether you use it as a multi-track sonogram, a collision detector, or a stereo analyzer, the MMultiAnalyzer workflow is fast and intuitive.

MMultiAnalyzer also comes with features that make it easy to identify specific frequencies. These include normalization, super-resolution, and de-harmonization features, all of which help you pinpoint problem areas in your audio.

User impressions

Like all MeldaProduction’s plug-ins, MMultiAnalyzer is customizable to a remarkable degree. The interface is freely resizable, and users have the option to display the controls as knobs, buttons, or sliders. Even with all the impressive technical features onboard, the plug-in’s customizability is what stands out the most among many users.

Of course, the aforementioned technical features are the main draw for professional users and serious hobbyists. The ‘smart’ metering is one of the most advanced of its kind, giving users the option to display frequency measurements in a variety of graphs and meters.

Bottom-line

MMultiAnalyzer is one of the most versatile spectrum analyzer plug-ins around. It is absolutely flawless in terms of accuracy, and the degree to which you could customize the interface is a definite plus. Even with so many capable spectrum analyzer plug-ins available, this one stands apart from the rest.

4. Blue Cat Audio Analysis Pack

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Blue Cat’s Audio Analysis Pack gives you pretty much everything you need to analyze and measure the frequency content of audio in one convenient package. The pack contains a dazzling array of useful plug-ins, all of which are available individually as well. Among these are two frequency analysis plug-ins, both of which provide performance equal to that of dedicated spectrum analyzers. Furthermore, these plug-ins let you can control other plug-ins–and even MIDI instruments–with the resulting measurements.

Specs and useful features

Because this is a review of spectrum analyzer plug-ins, we will focus on those specific types of plug-ins in the pack.

First up is FreqAnalyst Multi, which provides a variety of spectrum analysis features for multiple tracks. Ideally-suited for mixing and mastering, it provides a detailed view of the frequency and time of several tracks simultaneously, all from a single screen. A useful and versatile mixing tool, it will also find plenty of use as a frequency overlap detector.

The second smartphone plug-in is FreqAnalyst Pro, which adds automation generation capabilities and a 3D viewer to the standard set of spectrum analysis features. Offering much of the same functionality as the free FreqAnalyst plug-in, it provides an extremely smooth and high-resolution view of frequency as well as time.

User impressions

The individual plug-ins in the Audio Analysis Pack come with an impressive wealth of features that provide tremendous value. Most users seem sufficiently impressed with the amount of information provided, with the automation and MIDI capabilities simply being the icing on the cake. For many, the clever implementation of CC/automation generation features makes these tools so much more versatile than most standard spectrum analyzer plug-ins.

Bottom-line

The overall value provided by the Audio Analysis Pack is pretty impressive. Even if you opt to purchase just the individual spectrum analyzer plug-ins, expect to get plenty of bang for the buck.

5. Photosounder Spiral

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To describe Photosounder’s Spiral as a music analysis plug-in would be accurate–but it does underplay its capabilities a bit. Spiral certainly does a great job of revealing the frequency content of music, but its fresh and innovative approach to audio analysis places it so far ahead of other plug-ins that it is almost in an entirely different category.

Frequencies are displayed in a spiral (no surprise there), with a chromatic band encircling it. It is a simple enough concept to be sure, but the ability to see what is going on in your music quickly and intuitively is noteworthy. Spiral also provides many other features that give you a more detailed and informative view of your audio.

Specs and useful features

In the Spiral display, individual instruments have specific colors that represent their unique positions in the stereo mix. The plug-in also makes it possible to capture or record bits of audio into memory and play it back at slower speeds. This feature is helpful for identifying individual notes or deciphering chords.

You can even adjust the resolution at which stored audio plays back. You can lower the resolution for more precise time measurement for instance, or increase it when you need to analyze low-frequency instruments or complex chords.

User impressions

Users found Spiral to be as useful as an audio analysis tool as a musical aid. The bright colors and stereo separation make it possible to identify tones and notes quickly and accurately.

As a learning tool, Spiral is pretty much incomparable in the world of spectrum analyzer plug-ins. Its ability to highlight specific sections of the audio, capture it, and play it back at slower speeds are features that simply don’t exist in any other spectrum analyzer plug-in.

Bottom-line

Spiral probably isn’t the best choice for analyzing audio for mixing or mastering purposes. More a musical aid than a frequency analysis tool, it should nevertheless find a welcome place in your plug-in collection.

6. 2nd Sense Audio Mixing Analyzer

Demo & Price

2nd Sense’s Audio Mixing Analyzer hides an impressive wealth of features in a simple and modernistic interface. Like the best spectrum analyzer plug-ins, it allows the real-time monitoring of multiple tracks of audio, with the data viewable from a single window. It also identifies instances where frequencies collide and mask each other. Whether you need to pinpoint problem frequencies in specific audio tracks or simply want to check your level balances, Audio Mixing Analyzer could be a useful tool.

Specs and useful features

Like other spectrum analyzer plug-ins that allow for the monitoring of multiple audio streams, Audio Mixing Analyzer is meant to be loaded onto each track to be analyzed. All tracks will then be visible on any instance of the plug-in, each in a different color. You can also label each track as you see fit.

A vertical line will pop up on the display if any frequencies clash or overlap. You can then instantly see where two or more parts are occupying the same frequency range. An included threshold knob lets you control how frequencies clashes are displayed, with shorter instances showing up as more pronounced movements of the indicator line.

A scrolling display below the spectrum display provides real-time information on the clashing frequencies, as well as the measure and beat position where they occur. There are also illuminating blocks to the left that indicate the presence of tracks with conflicting frequency content.

User impressions

Audio Mixing Analyzer may be fairly simple, but users seem satisfied at the amount of information provided. By presenting data as text as well as visual form, users can identify frequency clashes easily, and quickly determine what steps to take to remedy potential issues.

Bottom-line

Audio Mixing Analyzer isn’t the most fully-featured spectrum analyzer around. In fact, it is one of the simplest in this rundown, without a lot of esoteric display settings and customizability options onboard. Nevertheless, it is a capable enough analyzer for the most part, and it should find plenty of use in any studio.

7. Voxengo SPAN

Demo & Price

Voxengo’s SPAN is something of a classic in the audio world, providing spectrum analysis capabilities equal to that of the best plug-ins. Remarkably, SPAN is free, which makes its professional features and capabilities even more impressive.

Even so, Voxengo saw fit to release an “extended” version of SPAN, dubbing it the SPAN Plus. Building on the already impressive features of its freeware predecessor, SPAN Plus added a static spectrum display option, PNG file export, and the ability to import and export spectrum data in real-time.

Specs and useful features

SPAN Plus has a new “mode” system that gives you the flexibility to set the display according to your preferences. This feature lets you view Fourier block size in samples, and lets you set the overlap percentage of the FFT window. You can also specify the visual slope of the spectrum, change how the secondary spectrum is displayed, and even smoothen out the spectral display as desired.

SPAN Plus makes it possible to perform a variety of analysis methods. You can compare the spectrums of different tracks at the same time, with unique colors for each channel.

User impressions

SPAN Plus especially impresses users with its ability to perform multi-track comparisons from a single window. The ability to compare EQ curves pre- and post-mastering on the same graph makes it a flexible and useful tool for mixing and mastering.

It is interesting to note that many users find the free SPAN to be just as capable as the SPAN Plus for their needs. But that is more a testament to the excellence of the free plug-in than it is a criticism of SPAN Plus.

Bottom-line

SPAN Plus is an excellent spectrum analyzer plug-in in more ways than one. Admittedly, you could get pretty much the same features in the free version of SPAN. But if the ability to compare the spectrums of two different audio sources at the same time is important to you, SPAN Plus is a no-brainer.

Spectrum Analyzer VSTs

What is spectrum analysis?

In an audio and musical context, spectral analysis is the process of measuring the frequency content of audio signals. Using a function known as “Fourier transform”, audio is broken down into its component frequencies and displayed on a screen.

Spectrum analyzers–purpose and function

Spectrum analyzers essentially provide visual representations of sound. They measure the frequencies of audio signals and display the results in a graph in real-time. The horizontal axis represents the pitch/frequency of the audio, while the vertical axis represents the amplitude. Pitch/frequency is measured in Hertz, and amplitude is measured in decibels.

By providing a visual representation of audio, spectrum analyzers make it easier to identify specific areas of the frequency range that may cause problems in the mix later on. When used in conjunction with standard audio monitoring, spectrum analyzers can enhance efficiency during the mixing and mastering processes.

Essential features

The display is the most important part of a spectrum analyzer. This is where you can see the frequency content of your audio and how “hard” specific frequencies are hitting. You can then figure out which frequencies you will have to cut or boost to fix any problem.

The best spectrum analyzers give you more specific details on frequencies and levels when you place your cursor at certain points on the display. Some plug-ins even allow you to zoom in for a more accurate view of the levels.

How to choose the best spectrum analyzer

Accuracy is, of course, one of the most important aspects of a spectrum analyzer. You will want to pay particular attention to this quality when comparing the different spectrum analyzer plug-ins available.

You should also look into the option to set the FFT block size a few different ways. This feature allows you to view frequencies at different resolutions, which could help you identify problem areas in specific frequency ranges.

One important thing to keep in mind is that spectrum analyzers can not–and should not–take the place of proper monitoring via speakers or headphones. By all means, use spectrum analyzer plug-ins for an added perspective while mixing or mastering. But don’t forget that what ultimately matters is how the music sounds–not how it looks.

In this guide, we will go over something that is essential to every music producer: VST plugins. By the end of this article, you will know what VST plugins are, their different types, what they do, their various controls, features, and parameters, and what you can use them for. Read on to find out more about VST plugins.

What exactly is a VST plugin?

A VST plugin is a piece of digital software that allows you to use audio effects and virtual instruments in a DAW (digital audio workstation). VST stands for Virtual Studio Technology.

What does a VST plugin do?

A VST plugin processes audio or MIDI as it plays in a DAW, and either applies certain audio effects to it or makes MIDI notes sound like they are being played through a musical instrument.

What are VST plugins used for?

VST plugins are used for creating new sounds and making a mix sound better during the recording and mixing processes.

Types of VST plugins

There are two main types of VST plugins: audio effects plugins and virtual instrument plugins. Let’s go over the different types of VST plugins, the subcategories of those plugins, and what they all do and how to use them.

Audio effects plugins

There are quite a few different types of audio effects plugins. The ones we will go over in this guide are as follows:

• EQs
• Compressors/limiters
• Reverbs
• Delays
• Distortion and saturation
• Vocal processors
• Spectral analysis plugins

EQ plugins

What is an EQ?

An EQ (equalizer) plugin is a plugin that allows you to boost, remove, increase, decrease or leave frequencies in an audio file unchanged. The changes in frequency cause changes in your mix, and you can use that to create a space for every element of your track in the mix so everything can be heard properly without competition.

What can an EQ plugin be used for?

An EQ plugin can be used to create experimental sounds, keep your mix from getting muddy and crowded, and help elements of a track to better fit into the mix or stick out more.

Controls and features of an EQ

An EQ usually has a few different controls on it, but depending on the type, that may differ to varying degrees. A typical EQ has the following controls:

• Frequency: this setting adjusts the center frequency range for a specific frequency band.
• Q: the control that widens or narrows the frequency band curve.
• Gain: increases or decreases the volume of each frequency band.

Types of EQ plugins

There are several types of EQs, but in this guide I am only going to talk about the most popular ones used in music production. They are:

The parametric EQ is the most commonly used EQ in music production. The parametric EQ is a multi-band EQ, which means that there are controls specific to different ranges of frequencies in the plugin. As for features and settings, a parametric EQ has several frequency bands, which adjust the center frequency range for the specific band, or the start or cutoff for high pass or low pass bands.

A parametric EQ also has a Q, which is a setting that widens or makes the frequency curve more narrow. Higher Q values make the frequency curve more narrow and lower values make the curve wider. Due to its controls, you can very easily cut out or boost certain frequencies with a high level of precision. Another setting on a parametric EQ is the gain. Gain will increase or decrease the volume of the frequency bands.

Finally, there is filter slope and filter type. The filter slope sets how steep the slope of the low or high pass filter will be, and the filter type controls the shape of the filter. Typical filter types include low pass/high cut, high pass/low cut, notch, and bell.

A dynamic EQ is the same as a parametric EQ, but with the added feature of compression, expansion, or both. This makes dynamic EQs much more flexible. Dynamic EQs treat audio based on the internal audio source if it passes a certain threshold, whereas parametric EQ settings stay the same no matter what, unless you automate it. Dynamic EQs will have a compression rate and a threshold setting along with all the settings of a parametric EQ. Stay tuned to learn more about compression.

A graphic EQ is an EQ that boosts or reduces fixed frequencies. The more bands a graphic EQ has, the more accurate it will be, as more bands means there is a narrower amount of space between each frequency band. Graphic EQs are not good for mixing if you need to do precision type EQing, but they are good for making changes to the overall mix of a song or track.

Breaking down filter types

As mentioned above, there are several different types of EQ filters:

• Low pass or high cut filter
• High pass or low cut filter
• Band pass filter
• Bell curve filter
• Notch filter
• High shelf filter
• Low shelf filter

A lowpass or high cut filter completely removes all frequencies in the spectrumabove the cutoff point you set it at. As the name suggests, it cuts out thehigh frequencies and lets the low frequencies pass through.

A high pass or low cut filter does the opposite; it allows all high frequencies in the spectrum below a certain frequency cutoff point to pass through and cuts out the low frequencies.

A bandpass filter cuts out frequencies on either side of the cutoff point. Byusing a band pass filter, you can get a very narrow sounding piece of audio,much like how it would sound if you were talking to someone on an old phone.

A bell curve filter boosts or reduces frequencies around a center point. This type of filter is one that you will most definitely use while using an EQ plugin when mixing.

A notch filter removes frequencies around a center point and the frequencies on either side of it are kept intact.

A high shelf filter boosts or reduces frequencies above a specific point while allowing the frequencies below that to also pass through.

A low shelf filter boosts or reduces frequencies below a specific point while allowing the frequencies above that point to pass through.

Knowing how to use these types of filters and what situation to use them in will help you to use an EQ quickly and efficiently, and in turn speed up your mixing process.

Compressor and limiter plugins

What is a compressor plugin?

A compressor is a plugin that reduces thedynamic range of an audio signal. Dynamic range is the difference between theloudest and softest parts of an audio signal. Compression plugins are necessaryfor taming dynamics so each element of your track sits in the mix exactly whereit needs to, both in terms of volume and frequency.

What can a compressor plugin be used for?

A compressor plugin can be used for taming and managing the dynamics of instruments and vocals; it can also be used to help elements of a track sit in the mix better or stand out more.

Controls and features of a compression plugin

Compressors may have any or all of the following controls:

• Attack: setting the attack level determines how quickly the compressor starts working after detecting an audio signal above the threshold.
• Release: the release level determines how quickly the compressor stops or reduces its effect on the audio signal.
• Threshold: the level that the audio signal needs to rise above in order to get the compressor to kick in.
• Knee: determines how aggressively the compressor kicks in once reaching or surpassing the threshold.
• Ratio: controls how much dynamics decrease is applied once the audio signal reaches or surpasses the threshold.
• Output gain: allows you to make up for any volume reduction caused by the compressor.

Types of compressor plugins

Like EQs, there are different types of compressors. They include:

• VCA compressors
• FET compressors
• Optical compressors
• Tube compressors
• Multi-band compressors

VCAcompressors are a versatile type of compressor thatseems to be the jack of all trades. They are known for having a fast responsewhich makes them good for controlling peaks on rhythmic tracks or tracks thathave a lot of transients. VCA compressors may or may not retain original tonedepending on the settings you have on them.

FETcompressors have even faster reaction times than VCAcompressors do, and they were designed to emulate tube circuitry. Typically,FET compressors do not have a threshold setting, and instead have an input gainand an output gain. With no threshold or ratio, the audio signal is compressedbased on how loud the input is (higher volume input equals more compression).

Opticalcompressors are extremely smooth and transparent inthe way that they process audio. They are ideal for vocals and for addingwarmth to guitars. Usually there is a fixed ratio of 3:1 on them and the onlycontrols they have are a gain control and a control for reducing peaks. Sincethey are smooth and slower, they are not as ideal for transient-heavy tracks.

Tubecompressors are the oldest type of compressors around.They have a slower attack and release compared to other types of compression,but this gives them a vintage sound that is hard to emulate with othercompressors.

Multi-band compressors work with frequency bands and allow you to apply different amounts of compression to different bands. Because compressors change dynamics of frequencies, an EQ is usually part of a multi-band compressor. A multi-band compressor (or dynamic EQ) will process the audio signal as it comes in and then treat each frequency band in response to what you have it set as, almost like an automation type of feature.

What is a limiter plugin?

A limiter plugin is similar to a compressor. They both control dynamics. A compressor, however, controls dynamic range after it reaches or surpasses a threshold, whereas a limiter prevents the audio signal from reaching and going over the threshold. Limiters are mainly used during the mastering process.

What can a limiter plugin be used for?

Limiter plugins can be used to preventclipping and distortion, and they can also be used to increase the volume of atrack.

Controls and features of limiter plugins

Limiter plugins pretty much have the same controls as compressors do: attack, release, threshold, input gain, and output gain. A knee and ratio control is not needed, as the audio signal will (or should) never surpass the threshold. The only main difference of a limiter plugin is that the threshold is called a ceiling because it is the highest point that the audio signal is allowed to reach, just like the ceiling is the highest point you can get to in a room without breaking through it.

Reverb plugins

What is a reverb plugin?

A reverb plugin is an audio effect plugin that makes instruments and vocals sound natural in terms of space. Reverb makes audio sound like it was created or played in a certain space rather than having been recorded in a room with no type of natural reverberations or reflections of sound waves.

What can a reverb plugin be used for?

Reverb plugins can be used to make instruments or vocals sound like they were recorded in a specific space. It can make them sound farther back in the mix and help them to fit in the mix better.

Controls and features of reverb plugins

Reverb plugins have a lot of different controls to help you get a variety of results out of them. Controls include:

• Pre-delay: the amount of time it takes for the sound to leave its source and make its first reflection off an object.
• Time: the total amount of time the reverb lasts from start to finish.
• Dry/wet mix: allows you to choose how much of the audio signal without reverb you want mixed with the audio signal that has been processed with the reverb.
• Decay: the amount of time it takes for the reverb to completely go away.
• Early reflections: the first set of echoes/reverberations that are produced when sound waves hit an object.
• Damping: a feature that allows you to make the reverb sound less shrill if it has a lot of high frequencies in it.
• Shape: refers to the shape of the space you are emulating and how many walls it has.
• Size: refers to the size of the space you are emulating.
• Diffusion: controls the density of the amount of reverberations and echoes.

Types of reverb

There are a few main types of reverb that are categorized by room size, and they will all have a different effect on the audio you’re trying to process. It is important to choose wisely when processing reverb so that your instruments and vocals don’t make the whole mix muddy or jumbled and distracted.

• Room reverb: the smallest and most basic type of reverb. Room reverb provides a liveliness and natural coloration, one that does not hide imperfections.
• Hall reverb: refers to a concert hall rather than hall in someone’s house. Hall reverb is designed to produce minimal echoes and sound balanced in tone.
• Chamber reverb: opposite of hall reverb. Chamber reverb has a lot of texture and adds energy and color. It is ideal for keeping things interesting.
• Plate reverb: balanced in terms of echo density. Gives a smooth sound and works best for vocals and in tandem with other reverbs.
• Ambience reverb: does not really emulate any specific space; it rather gives more of an atmospheric feel and is more experimental.

Delay plugins

What is a delay plugin?

A delay plugin is a time-based effect that records the audio signal going into the plugin and repeats it back over a duration of time that you’ve chosen.

What can a delay plugin be used for?

Delays can be used to add movement into the mix, to highlight certain parts of a track, or to make a mix sound fuller and richer.

Controls and features of delay plugins

• Delay time: the length of time between each delay.
• Rate: the amount of time it takes for the audio signal to bounce between the left and right stereo channel when using ping pong delay. This is usually expressed in note increments like 1/4 notes.
• Feedback: the amount of time it will take for the delays to fade away.
• Delay mode: changes the type of delay.
• Dry/wet mix: determines how much of the original signal will be mixed with the processed sound.

Types of delays

• Stereo: the most common type of delay. It produces a wide delay that presents itself on each side of the stereo field at the same time.
• Mono: creates a more narrow, focused type of delay.
• Ping pong: the delay that bounces back and forth between the right and left sides of the stereo field.
• Slapback: a very short delay that creates a bouncy, extremely quick doubling type of effect.

Distortion and saturation

What is a distortion/saturation plugin?

A distortion (or saturation) plugin is a plugin that adds distortion (or saturation) (white noise, brown noise, in other words… static) that provides dynamic warmth and cohesion to an audio track, usually (but not always) from clipping.

What is clipping?

Clipping is when the volume meter goes over 0 dB, causing an overdriven static to sound.

What is the difference between distortion and saturation?

Distortion describes a more extreme sound,while saturation adds a warm tone to a sound without drastically changing it.Distortion can make things sound fuzzy or it can make a sound completelyunrecognizable. Saturation adds a pleasant static that fills in the gaps in thefrequency spectrum.

What can a distortion plugin be used for?

Distortion plugins can be used to completelychange sounds, and they can be used to add qualities like crunch or static andthings of that nature.

What can a saturation plugin be used for?

Saturation plugins can be used to fill spotsin the frequency spectrum that need to be fuller, they can be used to add warm,vintage tones to instruments, and can be used to create brightness in yourtracks.

Controls and features of distortion and saturation plugins

Some distortion/saturation plugins have a lot of controls and others don’t have so many, but usually they have at least the following in common:

• Drive: increases the amount of distortion or saturation.
• Character or color: allows you to switch between certain colors and tones of saturation like brown noise, pink noise, and white noise.
• Low and high frequency (also referred to as band or frequency): allows you to adjust the frequency band within the brown, pink, or white noise, etc.
• Tone: gives you more tools to work with the frequency spectrum of the saturation and distortion.

Vocal processing plugins

What is a vocal processing plugin?

A vocal processing plugin is a plugin thatdirectly transforms vocals, whether it be by pitch, turning vocals into asynthesizer, or something else.

What can a vocal processing plugin be used for?

A vocal processing plugin can be used forcorrecting vocal pitch, controlling volume, controlling vocal reverb, emulatinga synthesizer or other instrument, doubling a vocal, or transforming it inanother creative way.

Vst Plugin To Detect Changes In Waveform Above Threshold The Number

Controls and features of vocal processing plugins

Vst Plugin To Detect Changes In Waveform Above Threshold Table

Since there are so many different types of vocal processing plugins and we’ve already covered things that can be considered vocal processors, like reverb and delay, in this guide we’re just going to focus on autotune plugins. Autotune plugins typically feature the following controls and settings:

• Song key: determines what key you’ll be singing in. You should match the key of the song to the key you’ll be singing in.
• Scale: determines the scale you’ll be singing in.
• Vocal register input type: usually has soprano, alto, and bass. Depending on the type of vocal register, the autotune plugin will process vocals differently based on the input setting.
• Correction/retune speed: controls how quickly or slowly off-key notes are corrected.
• Humanize: controls how natural the processed voice will sound (leaving vibrato vs sounding robotic, etc).
• Natural vibrato: controls how much of a natural vibrato is created if you want to digitally create it.
• Dry/wet mix: controls how much of the unprocessed and processed audio signal you want blended together.

Spectral analysis plugins

Spectral analysis plugins aren’t exactly a main type of audio effect plugin in terms of popular or common use, but they are extremely helpful in the mixing process, so I wanted to include a section on them.

What is a spectral analysis plugin?

A spectral analysis plugin is a plugin that shows a graph of a spectrum of information. Spectral analysis plugins can show collisions in frequency, how wide a track or instrument is, and things like that.

What can a spectral analysis plugin be used for?

A spectral analysis plugin can be used forfinding collisions in frequency with EQs, finding out how wide or narrow thestereo image is of a track or instrument, or to see how well mixed your song isbased on a pink noise curve.

Controls and features of spectral analysis plugins

In general, there are a couple main features:

• Graph window: this is the area where the information being analyzed is shown in a graph form.
• Graph display controls: these are for looking at different elements of the graph.

Virtual instrument plugins

Virtual instrument plugins are plugins that emulate different instruments. You use them with MIDI tracks, and as the plugin receives the MIDI information, it will process it and output the audio as if a musical instrument was playing those same notes.

Drum VST plugins

Acoustic drum VST plugins typically have an interface with a virtual drum set. Each drum has samples of real drums assigned to it. Using a MIDI keyboard, piano roll editor, mouse, or computer keyboard, you can play the drum samples as if you were playing a real set of drums. There is usually also a window where you can tweak the settings and effects of each drum, like reverb, compression, and even the type of drum.

In the case of electronic drums, like drum pads, samples are assigned to pads rather than a virtual drum set. It works the same as an acoustic drum VST, the design is just a little different.

Synthesizer and keyboard VST plugins

Synth and keyboard plugins work a bit differently than drum plugins do. Synthesizer plugins sometimes get their sound sources from samples, but more often it’s from oscillators. Oscillators shape voltage which causes the synth to emit a pitch at a certain frequency. This is what determines the waveform. Oscillators are controlled by the keys of a synth, and the other knobs shape the sound further through LFOs and modulators. Synth VSTs work like this and you can easily customize the sounds you’re trying to get out of it just by tweaking things here and there.

Keyboard and piano VSTs are usually sourced from samples of real pianos, unless you are working with a synthesizer type VST. Like the drum VSTs, there is usually a page in the plugin interface where you can tweak the sound of the piano or keyboard further to your liking, and you can also control the keyboard through MIDI.

• The best synth VST plugins 2020
• The best piano VST plugins 2020

Guitar and bass VST plugins

Guitar and bass plugins are similar to synths in that sometimes they use samples and other times oscillators and very basic waveforms are used. If you find a good-quality plugin company that has any guitar plugins, it’s likely that they use real samples of guitars.

Basses, on the other hand, depend. Some bass VSTs are sample based and others are more synthesizer-like in that they use oscillators and are controlled through a piano or keyboard type interface. It really just depends on whether or not you’re using a bass guitar or a bass synth.

How to choose a good VST suite or plugin bundle?

There is a wide variety of audio effects and virtual instruments out there and so many great companies that make them and sell them. It can be really challenging to figure out which companies produce packages of good-quality VST plugins. Here are some of my favorite VST companies that I encourage you to check out.

Audio effects plugins:

Waves

Waves is one of the world’s leading VST companies. They have several different packages of their VSTs, all at different price points, so if you are on a budget you can still get a good amount of plugins. You can also buy plugins individually, but I would not suggest that if you plan to buy a lot of their plugins, as buying a package of them will save you a good amount of money.

Most of Waves’ stuff can be quite expensive, but that is because they have top-rated, award-winning VSTs. However, if you do decide to spend the money on Waves plugins, it is extremely worth it (although there is somewhat of a learning curve on some of them). I use them every time I mix and I have yet to be disappointed.

FabFilter

FabFilter’s suite of plugins is much more affordable. They are a smaller company but the plugins sound great and are especially nice if you are more of a visual mixer. Because of their more graphic intense VSTs, I personally find FabFilter’s plugins to be extremely easy to use, in fact more so than Waves plugins at times. It really just depends on what plugins you are using, but a lot of the time FabFilter’s seem to be more user friendly, especially for those who are just starting out.

MeldaProduction

MeldaProduction has some nice plugins, especially their spectral plugins. They offer some virtual instruments too, which aren’t as high quality as others, but they still sound good. They’re all very affordable. The plugins aren’t as modern in appearance but they work well and there are a lot of them which takes out the hassle of buying from a ton of different companies.

iZotope

iZotope’s plugins are all really sophisticated and made for producing, mixing, mastering, and repairing audio. My favorite plugins from them are Ozone (for mastering) and Neutron (for mixing). A lot of iZotope’s plugins use an effects chain but can also be used individually, which makes them extremely convenient.

Virtual instruments:

Native Instruments

Native Instruments is one of the leaders in virtual instruments. They’re also another company that is pretty expensive, and understandably so because the VSTs all sound awesome.

They have a program called Kontakt that allows you to play third party instruments that other companies have made and you can also find plenty of presets online for their existing instruments, so I’d say they have a good balance between producing their own VSTs and allowing accessibility to ones from third parties.

XLN Audio

XLN Audio mainly has plugins for drums and keyboards, but they also have a retro tape effect that makes your tracks sound distorted like they’re being played through an old record player. All of their plugins are worth checking out; their virtual drum suite and keyboard suite are really nice, affordable, and they have a great variety of presets and sounds.

Spectrasonics

Spectrasonics has three really amazing virtual instrument plugins that they sampled from live instruments: Omnisphere, Keyscape, and Trilian. All of them are incredibly responsive and realistic-sounding. If you play bass or keys, there are a ton of presets, different articulations, and full MIDI compatibility. They’re extremely expensive but absolutely worth it if you want realistic sounding instruments with crazy playing flexibility.

8Dio

Similar to Native Instruments, 8Dio has really high-quality samples that they use with their instrument plugins. The interfaces of 8Dio instruments are always extremely easy to use and very pleasing to the eye. The virtual instruments they make are meant to be used with Kontakt, which is a Native Instruments plugin.

How do I use VST plugins?

Aside from dragging and dropping the VST plugins into the designated areas of your DAW and pairing them with the correct channels, I can’t really give you a guide on how to use VST plugins because there’s no real ‘right’ or ‘wrong’ way to use them. It all depends on what you think sounds right.

If you want to put a certain reverb plugin on a drum track because you think it sounds good, go right ahead. If you want to use a certain virtual instrument for a piece of MIDI you’ve composed, by all means, be my guest. Don’t be afraid to experiment and deviate from using VST plugins in traditional ways. If you think it sounds good, do it.

I will say this, however: make sure you are educated on what your VST plugins do and how to use them so you can easily tweak things to get the sounds you want without spending hours on a single thing.

Some frequently asked questions about VST plugins

Do I need a lot of plugins?

No. In fact, I strongly suggest sticking with one or two main suites of plugins (depending on the size of the plugin bundles). Having too many plugins can get really overwhelming and distracting. It’s extremely common for producers to get excited about plugins and buy as many as they can and then end up not using over half of them because sorting through them all and actually using them all is just too tedious and overwhelming.

Should I use stock VST audio effects and instruments?

This is completely up to you. Some DAWs don’t have very good stock plugins, and others do. Pro Tools has some great ones, while FL Studio does not. It depends on the DAW. If you want to find out, go by trial and error or look up some demos on YouTube. Honestly though, if you can use stock plugins well and make your tracks sound great, I don’t super discourage using them. It’s a personal preference for most people to use third party VSTs, but some stock plugins aren’t bad at all.

Can I use free VST plugins?

As long as they’re compatible with your computer’s operating system, yes, you can use free VST plugins. Most of the free ones out there might not be as high quality as you’re looking for but there are some out there that are nice. Stay tuned for future articles about VST plugins, we’ll have more material on the best ones out there, both paid and free.

• The best VST plugins 2020

Do VSTs work on any operating system?

VST plugins are common among multiple operating systems, but certain DAWs and operating systems have different plugin file formats that only work with those specific ones. For Windows, VSTs are compatible, but so are AAX and RTAS plugins, which are specifically for Pro Tools. For Mac, VSTs are compatible, but also AAX, RTAS, and Audio Units. Linux is much more limited with plugins, but considering not many (if any) people use Linux computers, they shouldn’t be a problem.

Conclusion

VST plugins may be hard to understand at first, but with continued learning and use, you’ll catch on easily. Whether it’s sample based instruments, audio effects plugins for mixing and mastering, or vocal processors and spectral analyzers, there are VSTs for everyone. With such a wide variety, you’re sure to find the right VSTs for your music production needs.

Jordan is a music producer, content creator, writer, and session musician. He has been producing music and engineering live performances for over 7 years. He is an experienced guitarist and enjoys listening to and playing many different genres of music.