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Reed Organ Vst Free

Reed Organ Vst Free Average ratng: 6,8/10 4063 reviews

32-bit and 64-bit VST VST AU macOS Sierra Ready Peti SA - Harmonium / Reed Organ Emulation / Accordion. Peti is a unique plugin instrument, which uses hybrid FM/PM. synthesis technology to emulate the sounds of the Harmonium and Accordion, members of the Reed Organ family. I've been looking for a free pump organ vst for a while now, but all I can ever find is basically every other type of organ. I almost came here to ask if anyone knew of one, but I suddenly realized that a pump organ sounds almost exactly like an accordion. This random accordion vst sounds spot on like a pump organ in the lower range. Yamaha PSS-280 Reed Organ C2. 4, 2015, 8:37 p.m. Category: Synthesizer - Organs Sample Rate: 44100 Hz. Bit Depth: 16-Bit. Free VSTi made by Jason Morin with the Maize Sampler.Contains samples from the Supertone reed organ that is part of my Reed Organs sample set. I recorded it with 2 different microphones including a shotgun mic, the. Jason Morin has released Supertone Reed Organ, a free organ VST instrument plugin for Windows OS. Contains samples from the Supertone reed organ that is part of my Reed Organs sample set. I recorded it with 2 different microphones including a shotgun mic, the samples in the VSTi are those recorded with the regular mic.

December 2016 : Peti SA is Here!
New design, improved sound, more features.
32-bit and 64-bit VSTVSTAU [macOS Sierra Ready]


Peti is a unique plugin instrument, which uses hybrid FM/PM* synthesis technology to emulate the sounds of the Harmonium and Accordion, members of the Reed Organ family. Traditional Reed Organs operate by means of hand-or foot-driven bellows, which pump air over metal reeds to make them vibrate.

The Reed Organ dates back to 1840, when the Harmonium was patented in Paris by its inventor Alexandre Debain. But the so called 'free-reed' instruments are much more ancient, like the Chinese mouth organs. The famous Melodica is also a 'free-reed' instrument. The Harmonium in its smaller form is widely used in north Indian music and, as derivation, in pop and rock music too for its full and sweet sound.

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*[FM/PM = Frequency Modulation/ Physical Modelling, Peti plugin does not use samples or wavetables.]
Peti is capable of emulating a wide variety of reed organ variations, from both suction and pressure families, accordions, as well as timbres which resemble pipe organs. Within the new Peti SA the synthesis engine has been improved allowing more variations and better emulation of many harmonium and accordion types.

The name 'Peti' comes from the Indian portable version of the Harmonium ('peti' literally means little box in Hindi), although the structure is closer to that of a Western harmonium. While the Peti word ('portable harmonium' in Hindi) has been chosen as a tribute to the huge tradition of portable harmonium usage in India and Pakistan, 'SA' has been added to the name of this new version of the plugin both to signify a new start, since SA is the name of the first note of the Indian scale, and as a tribute to the European origins, whereby SA refers to 'Suprema Armonia', for the centuries old tradition of accordion builders in Italy. You may also consider the SA to stand for Supreme Accordion due to the enhancements in Peti SA for its accordion emulation.

Peti SA also emulates various features of the Harmonium/Accordion, including the noise of air in the bellows and chambers, a 'musette' tremolo feature, and 'key coupling' allowing a single note to trigger two voices. Drone vst free. Keyboard noises are also emulated.
Peti SA provides features to control many parameters while playing: a MIDI CC value of choice, Aftertouch and Velocity. That allows for instance a ModWheel or an expression/volume pedal to be used to enhance the natural performance of the emulations.

Features: (See the [New in Peti SA] label for the new features)

Two Reed Banks, the core sound generators, with the same parameters available independently for each Bank. The two Reed Banks are not identical, swapping settings between Bank 1 and Bank 2 will subtly change the overall sound. The parameters available for each Reed Bank are:

[#] Brighter: Adds more upper harmonics in the timbre.

[#] Harmonics: Two different harmonic 'flavours' for each Reed Bank.

[#] Modulation: This parameter controls the overall amount of harmonics added.

Plus:

[#] Harmonics deviation: Extra parameter for Bank 1. [New in Peti SA]

[#] Phi: Phase difference between the two Banks. [New in Peti SA]

[#] KT: Extra 'keytracking' for Harmonics and volume, improves some accordions/harmoniums emulations. [New in Peti SA]

Global Parameters:

[#] Resonance: Reeds physical resonance.

[#] Resonance L H: Octave shift of resonance.

[#] HiBoost: Presence equalizer. [New in Peti SA]

[#] Chorus: Controls the effect which is often called 'musette' or 'tremolo'.

[#] Chorus L H: Balance of the Chorus across the keyboard range. [New in Peti SA]

[#] Ratio: Pitch difference between the two Reed Banks. Octave, same pitch or a fifth.

[#] Breath: Controls the amount of 'air noise'.

[#] Space: Preset reverb. [New in Peti SA]
[#] Keys: Keyboard noise, key release noise [New in Peti SA] or high pitched click on attack

[#] BoxSize: Emulates the size of the instrument. [New in Peti SA]

[#] Volume: Controls the output level.

[#] Volume + = : Allows to set the volume unaffected by the number of notes played This emulates those harmoniums or accordions that due to air pressure distribution decrease their sound volume when more notes are played at the same time. [New in Peti SA]

[#] Pitch: Controls the master fine-tuning setting.

[#] Bellows Controls: Rate and Mode, 11 types of automated pressure modulation.

[#] Velocity Sensitivity: Allows you to adjust the instrument's response to MIDI velocity.

[#] MaxVoices: Sets the polyphony of Peti from 1 (mono legato) to 16.

[#] Keyboard Coupler: This control emulates a mechanical 'coupler' which is found in some Harmoniums. It causes two notes to be played simultaneously by one key, with an interval which may be set to an octave, a fourth, or a fifth.

[#] Scale Changer: This control shifts the keyboard tuning up to 12 semitones up or down.

[#] MIDI Continuous Controllers, Aftertouch and Pitchbend: Selectable CC and AT, with adjustable depth, for several plugin parameters.
And adjustable pitch bending range. [New in Peti SA]

[#] Scalable interface (Resizeable GUI), several sizes. [New in Peti SA]

[#] Four GUI colours schemes, plus infinite user custom schemes. [New in Peti SA]

[#] Tooltips: With show/hide switch. [New in Peti SA]

[#] Cross-platform preset system with human readable files. [New in Peti SA]

[#] 50+ presets: Harmoniums, accordions, melodicas, organs and others. [New in Peti SA]

[#] Ability to import FXB FXP presets from the older Peti plugin.

[#] Planned feature for 1.1 : Microtuning

Demo limitations:

[#] Sound mutes after 20 minutes, reload the plugin to play more.

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[#] Plugin state is not saved in the DAW.

Organteq Features

Organteq offers over a thousand pipes, inspired from Cavaillé-Coll's organs, assigned to three manual keyboards with a five-octave range, and a pedal keyboard with thirty-two notes. Each keyboard can be assigned to a selection of stops with adjustable parameters.

By being physically modelled, Organteq offers several advantages over sample based variants:

  • It installs and loads quickly on any modern laptop
  • It hardly takes up any space at all as the file size is just 20 MB (megabytes)
  • It feels like playing a real organ, with superior playability
  • It is vivid, bringing more realistic variability in attack and sustain

Friendly UI & pre-filled combinations

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An organ is a complex instrument by itself. We made special efforts to make the interface easy to use by non-organist musicians.

Combining the stops in various way offers a wide sound variety. The task may seem unreachable for non-organists. Organteq makes things easy for you and offers seven presets with pre-filled combinations (i.e. pre-filled registrations) which let you explore new amazing sound colours.

To have a quick overview of each preset combination, explore them through the preset manager and listen to embedded demos:

Physically modelled tremulant

The tremulant is a mechanical device that modulates the upstream air flow that feeds the pipes. When the tremulant is activated, the pitch, the intensity and the harmonic content are modulated. Once you have chosen the rate, the amplitude and the shape of the tremulant, the physical model modulates the sound by itself. Note that this is not as post-effect as on many virtual organs.

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Settable output

Organteq comes with a few output settings. The Stereo Width allows to enhance the global stereo image. The C/C# Separation emphasises the pipes positioning according to the whole tone scale (C whole tone scale on one side, C# whole tone scale on the other side).

The reverb module offers parameters to vary the ambience, from a pure anechoic dry sound to a giant space wet sound.

While Organteq sounds great on any stereo system, a 8-channels output is also available: each division has its own stereo pairs that you can re-use as you wish.

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Convenient MIDI features

With its MIDI learn feature and convenient MIDI mapping, Organteq provides quick and easy connection with your MIDI compatible keyboard and other devices.

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Here is a basic mapping that routes four MIDI channels to the four virtual keyboards:

Here is a more sophisticated mapping that allows to control several virtual keyboards with only one hardware keyboard:

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Standalone or Plug-in

Organteq is available for macOS (10.7 or later), Windows (7 or later) and Linux (x86),
both as a standalone instrument and as a 64-bit plug-in for VST, AAX and AudioUnits hosts.