Free Auto Audio Mastering Vst
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You may face several scenarios while mixing and mastering which may include the use of an equalizer, having a transparent display to analyze what you are adding or subtracting with the EQ, multiple EQ bands, and proper CPU usage is what to look for in an EQ.
But with that said every piece of software and hardware alike creates and outputs a slightly different sound meaning they all have unique timbres and uses. Alongside that, there are some rather expensive plugins we may see online, which aren’t out of our reaches but we don’t know what we need until we need it right? Well, this is why its best to try some free EQ’s first to see what it is you like within an EQ and what it maybe you are looking for.
We become ever so comfortable with our stock plugins, they do the simple tasks for us (sometimes), they don’t run our computer into the ground, and they for sure are pretty basic. Well, this is the issue most people come to, they want a better EQ, or they want a change of visuals.
EQ History – ‘The first EQ was first used by John Volkman working at RCA in the 1920s”
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- DDMF Colour EQ info & download
- SPL Free Ranger info & download
- Analog Obsession STEQ v2 info & download
- TDR Nova Parallel Dynamic Equalizer info & download
- Cockos ReaEQ info & download
- Blue Cat’s Triple EQ info & download
- Analog Obsession Merica info & download
- TinyQ lkjb info & download
- Sonimus SonEQ info & download
- Ignite Amps PTEq-X info & download
- Leftover Lasagne Pushtec 5+1A EQ info & download
- lkjb QRange info & download
- TDR Slick EQ info & download
- Manda Audio 7Q info & download
- Mellowmuse EQ1A info & download
- Voxengo Marvel GEQ info & download
- Kuassa BASIQ info & download
1. DDMF Colour EQ Review
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Specifications:
- 64-bit processing
- Low-CPU Usage
- Customizable GUI
- Great warm sound
- 5 Bands
- Resizable Window
Features & When To Use:
Colour EQ is a 64-bit EQ plugin that offers 5 ”super parametric” bands to manipulate the frequency range. This is exceedingly handy when wanting to use more than one band in one instance; the intuitive gain knobs on the five bands allow for perfect mixing of these bands when mixing and mastering.
Using the two different types of curves, Colour EQ offers a warm sound that you just wouldn’t get from your stock EQ.
Having a bright visual display helps you to craft and mould your bands to preference.
A great way to use this plugin is when you are not getting enough warmth in your low, mid/mids, Colour EQ will add a great sense of warmth throughout the selected bands. Another cool way to use this plugin is to use two different setups with two different curve types; you can use modified versions of the EQ for selected times in your mixdowns to add the feeling of a change in energy in a breakdown or drop.
Colour EQ is a great tool to have in your arsenal for mixing and mastering, plus you may find many uses in your day-to-day production.
Compatibility:
Windows VST (32/64 bit), Windows/Mac RTAS, and Mac VST/AU format (Intel, OSX 10.5 and higher)
2. SPL Free Ranger Review
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Specifications:
- Four useful bands
- Volume knob
- Great sound
- Four buttons to switch between EQ settings
Features & When To Use:
With a sleek, minimalistic design Free Ranger is a powerful EQ.
With a mid-band (150Hz – 7kHz), fixed high (10kHz), low shelf (80Hz) SPL have kept things very simple so anyone can EQ with ease.
Free Ranger gives the feel of the world-renowned API 560 EQ but offers this all for free!
Free Ranger is a bodybuilder for your sounds while mixing and a gentle touch when mastering, this plugin makes EQing fun, quick and easy.
You may find yourself using the four different EQ settings and incorporate them into your mixdowns. Using them to create different feels and vibes can give your masters that final touch you’ve been looking for.
This is a must-have!
Compatibility:
macOS 10.9 through 10.15, Windows 7-10
3. Analog Obsession STEQ v2 Review
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Specifications:
- mid-band (150Hz – 7kHz)
- fixed high (10kHz)
- low shelf (80Hz)
- Optical compressor knob
- Added preamp
Features & When To Use:
Simplicity is key with EQ work in the mix or master, and this plugin keeps that in mind through and through.
With a very easy to use GUI STEQ 2 has a powerful but simple way of delivering a small form factor EQ to your DAW.
This EQ gives off old school retro vibe, precise, clean, and adds a lot of detail to the mid-range.
STEQ 2 is excellent for tonal rebalancing due to the broadness of the three bands creating a pure blend between the frequency ranges.
Using this to add punch to claps and snares is also a good use. But be careful when adding to full bus groups.
This EQ from Analog Obsession is an excellent tool to keep at your disposal when thinking about doing some tasks during your mix, or why not change up those stock plugins for free.
Compatibility
WiN, OSX AU VST, VST3
4. TDR Nova Parallel Dynamic Equalizer Review
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Specifications:
Great for:
Features & When To Use:
Nova is a parallel dynamic EQ; each band has a dedicated, dynamic section giving the user full flexibility.
Giving the option to drag and move bands in the visual GUI individually or group, this provides a natural form factor way to get results.
Using the multiband compression built into Nova your be able to manipulate your EQ even further, this will be displayed in the visual GUI with real-time feedback of the compression process. (subtly decrease the threshold to hear the difference)
In mix and mastering, you can use Nova to visually see where you may have audio issues to fix and makes it very easy to apply these changes with the drag and change feature.
The dynamic EQ is a handy tool to have in practice when mixing down full compositions – use it to bring down or up frequencies only when they reach a specific volume.
Nova is a heavyweight EQ with a lot under the hood all for free!
Compatibility:Best free vst kor.
Win XP SP2 or above, Mac OS X 10.7 or above.
5. Cockos ReaEQ Review
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Specifications:
- Low CPU & RAM
- Fast and highly configurable
- Portable – copy & run
- Resizeable GUI
Features & When To Use:
ReaEQ may look basic, but under the hood, there is a lot to offer.
Being able to have as many bands as you wish is a massive bonus, you also have the ability to change all of these bands to one of the following (shelves, bands, LPF, HPF, notch, bandpass, allpass).
With a stripped-back GUI, it keeps you focused on the task at hand, not over complicating things but giving you the power of an audio god at your fingertips.
With a tremendous real-time visual display, this gives you the eyes and ear focus that you need when EQ in the mix.
Phasing is a big issue when mixing, ReaEQ gives you a ‘Show Phase’ button which will show you in your display what frequencies are being affected by the band.
When mastering you may wish to keep all bands in one EQ patch, with ReaEQ you can do this.
Stripped back and powerful ReaEQ is a favorite among many producers across a wide range of genres.
Compatibility:
WIN 32, WIN 64
6. Blue Cat’s Triple EQ Review
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Specifications:
- Semi-parametric EQ
- +/- 40dB Range per band
- MIDI control and automation support
- Real-time display
- All sample rates supported
Features & When To Use:
The Triple EQ is a three-band semi-parametric equaliser.
With a simple and easy to read visual display of the frequencies in real-time, you will have a clear display of the EQ in front of your eyes.
Alongside the huge +/- 40 dB range, Triple EQ has a bandwidth of .01 to 5 Octaves!
An exciting feature with Triple EQ is that you can link two bands together using the ‘Link Channels’ feature. This will allow you to use them in unison; combine this with the automaton support to create quick and easy modulation. This is a great way to change an EQ while in the mix with complex automation.
Using the linking feature to create movement and progression within your mixdowns makes Triple EQ a threat.
Fully customisable shapes make this a different tool when deep in the mix or master, you will find many uses for the dynamic bands you can create—having dynamic bands that you are able to manipulate helps when visually your EQ and how it may affect the whole frequency range.
Check this one out for a small form factor powerful EQ!
Compatibility:
Windows 7 to 10, Mac OS 10.7 or newer.
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- Difference Between Active EQ, Passive EQ and Dynamic EQ
7. Analog Obsession Merica Review
More Info & Download
Specifications:
- Low & High Band – Shelf
- Mid Band – Proportional Q Peak
- HP & LP Filter – Constant
- Low CPU usage
Features & When To Use:
We have another FREE plugin from Analog Obsession!
This time is bringing you Merica an emulation of the API 550A console equaliser.
A simple three-band EQ delivers a lot of power to your mixes and masters. Selectively choose which frequency your band boosts or cuts with the option to the right of the knobs.
All bands kept simple and easy to get to grips with.
Meica also has a nifty and very much needed output knob, there will be no issues with clipping in the digital domain when mastering with this plugin.
A larger than appearing sound Merica is an excellent EQ plugin to use when in the mixdowns and masters.
Given that the EQ it emulates is an industry-standard plugin this small form, powerful, easy to use, and was coded by one man! Merica is a must grab for all audio creatives looking to upgrade their stock EQ plugins.
Compatibility:
VST Win, VST3 Win, VST Mac, VST3 Mac, AU Mac
8. TinyQ lkjb Review
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Specifications:
- Four bands (20 Hz to 20 kHz)
- Small form factor (ability to make larger if wanted)
- High & Low cuts range is 6 and 48 dB/octave
- Included frequency analyser
Features & When To Use:
TinyQ is a small form factor EQ.
Giving the user a stripped-back interface TinyQ offers a solution to a simple job.
Having too many settings can become overwhelming; TinyQ does what it says on the tin and doesn’t make your job any harder.
Keeping things simple when mixing down whole groups is essential – finding yourself using CPU heavy EQ, or a stock plugin just might not cut it for you. TinyEQ is excellent for doing those necessary but straightforward EQ tasks!
With the recent addition of built-in frequency analyzer, it makes EQ even easier when getting stuck into your mixes or masters.
Create awesome sounding band curves.
Great emphasis on keeping things simple goes a long way with TinyQ; the team has made a great EQ that does everything it needs to in one small package. With four bands plus high pass/low pass filters, you won’t be looking any further for your day to day EQ needs.
Compatibility:
Windows 7 or later, macOS 10.7 or later (both 64 bit)
9. Sonimus SonEQ Review
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- Three-band Equalizer, Low, Mid, High.
- 2 Musical Filters, High-Pass Low-Pass.
- Preamp stage with a bass booster.
- 64-bit floating-point precision.
- Up to 192kHz sample rates supported.
Features & When To Use:
SonEQ has 3 bands, low (20 Hz – 100 Hz), mid (150 Hz – 4 kHz), high (6 kHz – 15 kHz). Combined with a high pass and low pass filter, plus a ‘Mid-high Q’ this means when it’s on your band its narrow and when deactivated will cause it to be wider. This indicated by the red light.
Giving the user a lot of ways to EQ but keeping things user-friendly is what SonEQ does best.
Having the volume meter is very hand when mixing with any EQ, it gives the visual display of when things are getting a bit heated for your output.
SonEQ also gives you the full control of your input and output levels. This comes in handy when you are mixing your tracks with heavy effects, causing the overall levels to become louder than 0.0dB; this is where adjusting both the input and output parameters will solve the issue.
With this plugin being free for all to use we don’t see any reason why this shouldn’t be ready to deploy at the click of a finger, whether it’s beefing up the mix with the built-in bass boost preamp staging or adding a touch of colour to the highs this plugin has you covered.
Compatibility:
Mac OSX 10.6 or newer – Windows XP or newer
10. Ignite Amps PTEq-X Review
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Specifications:
- Three equalisation modules
- Stereo/Mono switching
- Four different tube types
- Global input/output level control
Features & When To Use:
PTEq-X is a digital emulation of three famous vintage EQ.
Equipped with three EQ modules comprised of mid-range (2kHZ – 7 kHz), low-frequency (20Hz – 150Hz), high-frequency (3kHz – 16kHz).
Using the mid-range module, you can use the low, mid parameter (top left) to effect the lower mid frequencies. Alternatively use the high mid setting (top right) to cause-effect to these frequencies.
Kerovee clownfish vst plugin. Moving down the EQ, we have our second module, which is PEQ1A EQ (Low & High). This comes with a bunch of parameters to mould your EQ patches perfectly to your source.
Finally, this is all topped off with the HL3C module; this is a low-cut accompanied by a high-cut.
You can also use the ‘Oversampling’ feature to reduce aliasing.
Use the “Tube” switch to apply or deactivate the tube amp.
Using the input and output levels will give you the ability to control any nasty peaks brought in or out of the EQ.
PTEq-X is a combination of some of the best analogue EQ’s to exist, plus its FREE!! We recommend this one for a great addition to your EQ arsenal.
Compatibility:
Windows 7 – 10 32 and 64 bit. OS X 10.7 64 bit
11. Leftover Lasagne Pushtec 5+1A EQ Review
More Info & Download
Specifications:
- 6 Band mid-range EQ
- Presets built-in
- Algorithms based on famous analogue gear
- Designed for mixing and mastering
Features & When To Use:
Pushtec 5+1A is a versatile mid-range program EQ that has mixing and mastering at its heart.
This plugin offers six bands, all offering a fantastic sounding boost through all parameters.
A vast selection of plugins makes it easy for users to start with something super effective and tweak to their liking.
“B/W” stands for bandwidth, this allows you to tweak the selected band and adjust to your preference.
A friendly and straightforward GUI keeps this EQ a smaller form factor but with a lot of power. Being designed for mixing and mastering be assured that this plugin delivers best when applied to a whole group or a master channel.
Giving instant sparkle to a mix or a very much needed bass boost this FREE plugin has you covered!
Compatibility:
Win 7 or higher only
12. lkjb QRange Review
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Specifications:
- 12 bands
- peak, shelf and cut filter
- Cut filters (12, 24 and 48 dB/oct steepness)
- Stereo/Left/Right/Mid/Side routing for each band
- A global gain for loudness adjustments
- Resizable GUI
Features & When To Use:
QRange is a very straight forward, user friendly, and effective EQ for mixing and mastering.
Giving the user an intuitive click and drag feature makes EQ work easy and more controllable.
With a choice of twelve bands, there is excellent room for doing additive plus subtractive EQ all in one plugin patch. Each band has. Selection of up to five different types (peak, low-shelf, high-shelf, low cut, and high cut).
Built into the frequency spectrum, you have the power to change it to pre or post. ‘Pre’ will let you see what the frequency range looks likes before the EQ is applied, whereas ‘Post’ will allow you to see it after the EQ has taken effect.
Offering the ability to users to save and load their own presets makes it easy to bring back some of your favourite patches while working on a mix or master.
It has to be said lkjb QRange is a must-have FREE EQ plugin.
Compatibility:
Win 7 or higher, macOS 10.7 or higher
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13. TDR Slick EQ Review
More Info & Download
Specifications:
- Semiparametric EQ layout
- Three bands combined with 18dB/Oct high-pass filter
- Four EQ models: “American”, “British”, “German” and “Soviet” with optional non-linearity
- Five output stages: “Linear”, “Silky”, “Mellow”, “Deep” and “Toasted”
- Saturation algorithms by VoS (“Stateful saturation”)
Features & When To Use:
TDR’s Slick EQ provides a recognizable analogue sound.
Using three bands that bring together four different EQ models.
Both low and high bands are coupled with a cut and bell feature allowing for comfortable band changing.
Auto gain estimates the gain change caused by the current EQ settings; this makes it great to compare your EQ setting during the mix. There is also an ‘EQ Sat’ button; this will activate the saturator which is very intelligently paired to your EQ bands. This will add harmonics when boosting and remain passive when cutting.
Being able to save your favourite EQ settings for a later mix or master can be done within the plugin. Coupled with a undo/redo button you never miss that sweet spot for your bands, alternatively set up two different EQs with the A/B switch.
Slick EQ gives a very stripped back interface meaning you don’t get caught up with the visuals when doing equalising, providing a focus on what your hearing. This EQ shouldn’t be overlooked, with great coding, algorithms, settings, and excellent sounding types SlickEQ delivers more than you would expect from a FREE plugin.
Compatibility:
Win 32 bit VST2, VST3, Win 64bit VST2, VST3, AAX
Mac VST2, VST3, AU, AAX 64 bit
14. Manda Audio 7Q Review
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Specifications:
- Seven band EQ
- Highpass/lowpass
- Stereo/mono options
- Left/right options
- Output level
Features & When To Use:
Manda Audio brings us 7Q.
7Q is an emulation of the beloved ‘Classic EQ’ which became discontinued, the team came together and brought the community back a redesigned version.
7Q takes off all the fancy parts and gives you the bare basics; this is what gives this a place on our list. With 7Q giving you the ability to apply your EQ to the left or right or both channels, you can independently EQ both sides of the stereo field.
Each band can be additive or subtractive. Keeping easy to use format is what this plugin does best; it doesn’t over-complicate the task at hand but assists your needs along the way wether mix or master.
Low memory and CPU usage make it easy to have multiple instances in your projects without having your computer meltdown.
7Q is a nifty EQ that is awesome for giving your sounds a little crisp boost before running into your other plugins within the chain.
Compatibility:
Win VST 32/64 bit, AAX 32/64 bit
Mac VST, AU, AAX
15. Mellowmuse EQ1A Review
More Info & Download
Specifications:
- HP: 10hz – 1khz / sweepable Q
- Low Shelf: 30hz – 500hz
- Low Mid: 70hz – 2khz / sweepable Q
- High Mid: 500hz – 6k / sweepable Q
- High Shelf: 1.5k – 18k
- Phase switch
- Output level
- 64-bit internal processing
- Formats: 64bit VST, VST3, AU and AAX
- Version: 3.2
- Legacy 32bit installers
Features & When To Use:
EQ1A is a FREE analog-style EQ with a clever algorithm giving you minimal phase coloration.
This plugin has initially been paid to use the plugin, but the developers have decided to give it to us all for FREE!
EQ1A allows you to use broad bands to shape your sounds or outputs in a clean, crisp and phase-corrected way.
Being able to save you presets within the plugin makes it very easy to pull back that EQ you made on the last mix. 4-band parametric equalizer with an additional HP filter with variable resonance gives a wide range of settings to play with while keeping everything simple and user friendly.
EQ1A does what it says on the tin for FREE!
Using this within mixing or mastering may help you when wanting to add a hefty highpass or when looking to give some warmth to your mid ranges.
It has to be said with a great look, and low CPU usage EQ1A is an excellent addition to your plugins.
Compatibility:
Win, Mac
16. Voxengo Marvel GEQ Review
More Info & Download
Specifications:
- 16-band graphic equalizing
- +/- 12 dB gain range per band
- Channel grouping
- Preset manager
- Contextual hint messages
- Freehand drawing mode
- Stereo and multi-channel processing
- Mid/side processing
- Undo/redo history
- All sample rates support
- Linear-phase equalizing
- Internal channel routing
- 64-bit floating-point processing
Features & When To Use:
Voxengo is notorious for doing some excellent free plugins.
This addition is the Marvel GEQ, which is a fifteen band linear phase EQ.
There is a routing tab that allows you to affect the signals mid/sides independently. (orange slides)
Also giving full independence to the mid/side output level, becoming very useful when mixing and mastering.
Bypass feature makes it simple to hear what your EQ is doing to your sound source. Alternatively, decide between two EQ setups with the A/B mode.
For quick EQ drawing, you can hold ‘Ctrl or Cmd’ and click across the EQ drawing in your fader settings with the click of a mouse.
Having a stripped back form factor with enough controls to complement your mixing tasks this plugin has to be our list today.
Compatibility:
VST Win, VST3 Win, VST Mac, VST3 Mac, AU Mac
17. Kuassa BASIQ Review
More Info & Download
Specifications:
- Three-band EQ
- High, mid, low
- Presets tab
- Output level
- Very simple to use
Features & When To Use:
BASIQ is a three-band EQ.
It keeps in mind that EQ work for mixing and mastering doesn’t have to be a headache or over complicated.
BASIQ is a design similar to the classic ‘Baxandall Equalizer’ which is knowns for its natural-sounding shelves and HiFi quality responses.
Adding a smooth, gradual shimmer or warmth instead of a surgical sharpness is what BASIQ does best. Use on groups or a master chain to subtly but significantly add character with the turn of a knob.
With some added presets you be able to get a quick change in tone with the click of a button.
The small form factor makes this BASIQ a powerful tool to be used within the mix or master.
Compatibility:
Win, Mac, VST, AU, 64 bit
Our Picks For Top 3 Free EQ VST Plugins
With all of that said, grabbing all 17 plugins wouldn’t do you any harm, but we want to break down our top 3 picks!
1. DDMF Colour EQ Review
In our top spot, we have Colour EQ by DDMF.
This plugin brings so many features that you would expect from pay to use plugins but all for FREE! Another fresh point is that the curves you can create with this cannot be done on other EQ plugins, giving Colour EQ a versatile approach.
Low-CPU – Usage Customisable GUI – Great warm sound – 5 Bands
2. TDR Nova Parallel Dynamic Equalizer
Coming in second is Nova by TDR.
Parametric, dynamic EQ, and multiband compression are all built into an excellent looking FREE plugin.
Nova has a built-in dynamic EQ parameter when mixing, and mastering using a dynamic EQ is crucial sometimes. Having this all in one plugin for free is hugely commendable to the team who developed this plugin!
Parametric equalization – Dynamic equalization – Frequency selective compression – Multi-band compression – Wideband compression
3. Blue Cat’s Triple
And finally, our last top pick is ‘Triple’ by Blue Cat.
This awesome plugin has so many features you just wouldn’t expect a FREE plugin to have.
With a fresh interface and drag and click feature to make EQing even more natural Triple is a powerful EQ.
Semi-parametric EQ – +/- 40dB Range per band – MIDI control and automation support – Real-time display
Today we have covered a lot of great FREE EQs for mixing and mastering. Amazingly, we have developers putting out all of these plugins for producers/sound engineers to level out the playing field. As we have all seen these ‘not to name’ brands releasing rather expensive EQs that we just can’t fork out for, but with the way, music has progressed today in the digital domain it has become much more accessible for creatives to share their ideas and effects for free.
With that said, they all have their benefits and downsides, but with them all being free, there is no reason you can’t pick them up and use these in your mixes or masters today!
Due to their undeniable complexity, a seasoned engineer can easily spend hours mastering a single vocal track…
Afterall, compressing and paying special attention to levels on the most dynamic instrument only makes sense.
Luckily, there are several free vocal mastering VST plugins to assist in the process without breaking the bank.
In this article, we’ll dive into a couple of compressors, exciters, equalizers, and noise gate VSTs that mimic many of the tools used by the pros to give mixes the extra polish they need.
Free Plugins For Mastering Vocals
Compressor VSTs
With vocal audio constantly wavering between high and low levels, a good compressor is nothing short of essential to the final mastering process. Check out some of these options to achieve a cohesive, condensed vocal sound.
Free Auto Audio Mastering Vst Software
Related: Proper Compression Settings for Vocals, Best Paid Vocal Compressors
OTT by Xfer Records
Pick it up here
With a simple yet sleek user interface, this plugin is approachable to engineers at all ends of the spectrum. The VST consists of 3 bands and is geared towards trap/electronic genres. OTT has the standard controls of any compressor: In/Out Gain, depth, and time without the clutter from any unnecessary bells and whistles. Each band is equipped with a modest visualizer, allowing you to see how your sound is being altered at different frequency ranges.
Although some producers may find the lack of options control-wise limiting, OTT is quick to get you to the sound you desire without wasting unnecessary time. Overall, the price is more than right, and OTT does an excellent job at evening out levels.
DC1A by Klanghelm
Pick it up here
If you’re looking for a simple compressor to give your vocals a bit more of an analog/classic feel, the Klanghelm DC1A is an excellent free plugin to start with. Its most notable feature is the 4 built-in presets with deep, relaxed, negative, and dual mono compression modes.
To add to its retro vibe, the VST has an embedded meter that looks like those on vintage rack mounts and is just as useful. The meter itself is easily understood and has a delineated red threshold so you can tell whether or not you’re clipping even with just a quick glance. The main focus of the plugin is the input and output, nothing else really besides the compression modes, making it a great option for beginners.
Moreover, Klanghelm produces a bulkier compressor VST entitled DC8C, so DC1A acts as a great trial run before investing in a paid plugin. For a seasoned engineer, this VST may be oversimplified, but those looking for efficiency or that classic mono sound, this is an excellent choice.
Equalizers (EQ) VSTs
When mastering a vocal, especially in pop/more current styles of music, producers commonly boost/cut out frequencies to help it stand out a bit more in the master mix. Here are a couple of free EQs that can fulfill all of your vocal mastering needs.
Related post: Best Paid EQ plugins for Vocals
ReaEQ by Reaper
Pick it up here
In general, this EQ plugin is great for the entire production process, but it also has a couple of key features that lend themselves particularly towards vocal mastering. For example, the VST has a dial-in frequency feature that allows the user to enter precisely what frequency he/she would like to be emphasized or lowered. You are able to add an unlimited amount of bands to give absolute clarity to the vocal and add polish to its final master. The bandwidth can be widened or narrowed with a few mouse clicks, streamlining the process.
Moreover, each band has a separate bypass toggle, meaning that you can easily switch one on/off to compare a sound before/after processing. ReaEQ comes equipped with high and low pass filters, bands, much more. The central visualizer makes it easy to locate all of your bands. Although the plugin is not the most aesthetically pleasing, it certainly works well and has a lot of features that normally come with paid plugins.
It is a great plugin to download as a beginner, but able to translate into more mature mastering practices with its potentially highly specified input/output values. ReaEQ is a superb tool and comes as a part of the Rea PLugs bundle with many other useful VSTs.
Luftikus By Lkjb
Pick it up here
This EQ is super useful in achieving a retro sound, as it is a digitized version of an analog-style Equalizer. Luftikus is set up like a traditional rack mount and has 5 fixed-frequency EQ bands with corresponding knobs. This feature could be seen as limiting during the mastering process as you cannot type in specific frequencies in the same way that you can with previously mentioned ReaEQ.
However, if you’re mastering a vocal bus with multiple vocal tracks, having fixed bands can help simplify the process and give you a little boost without being excessive. In addition, the VST has an added “mastering” mode which removes superfluous features to get you in and out of mastering efficiently. Luftikus has a separate section dedicated to boosting the high-end frequencies and a couple of preset options between 2.5-40K Hz which is particularly useful during the vocal mastering process.
Outside of the presets, the high-end boost has a knob that can be altered for a more specific vocal top-end boost. The plugin has a “keep gain” button designed to make changes appear more subtle than drastic while EQing, ideal for mastering. The colorful interface makes it exciting to use and Luftikus proves to consistently create masters with a bit more of a vintage feel.
Nova-67P by Vladg/sound
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The Nova-67p is a hybrid between a compressor and an equalizer making it a fine resource for mastering. The plugin is centered around the main visualizer where you can view the waveforms and respective bands. It’s nice that you’re able to see the waveforms in realtime, especially since vocals are fickle and quick to change from one level to the next. Since it also acts as a compressor, there is a small level meter as well to prevent clipping the vocal tracks.
This unique combination makes the VST a one-stop-shop for vocal mastering. Although sidechaining is traditionally done within the mixing stage, it is certainly worth mentioning that this plugin has sidechain capabilities built-in, along with high and low pass filters. It comes with attack, release, and ratio knobs and a separate toggle for mastering. If you’re looking to EQ or compress exclusively, this plugin may not be the best choice as the two components are designed to be used together in the mastering process.
For those looking to do both processes anyway, this plugin certainly accelerates mastering and will give you a more put together sound as the EQ and compressor interact with one another beautifully.
Noise Gate VSTs
A less common but underrated gating possibility is centered around the vocals. Condenser and other common microphones, often pick up unneeded frequencies that can cloud your vocal clarity during the mastering process. In order to eliminate this, try out one of these free noise gate plugins and place it on a vocal track.
Related post: Best Paid Noise Reduction Plugins
preFix by Variety of Sound
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Prefix acts as a couple of plugins built into one with EQ, sidechain, compression, and phasing built-in. Similarly to Nova-67P, the features are meant to be used with one another without external interference. The noise gate feature is notable as it has specified attack, release, hold, and pre-gate knobs allowing the user to hone in on which frequencies they’d like to be ducked.
Although this plugin is best used during the mixing process, it can be a great reference point during mastering since it includes so many of the tools needed to create a polished track. If someone was stuck on a vocal mix and wanted to be able to visualize a finished or mastered product, preFix could be placed on the corresponding vocal bus and quickly adjusted to give the user a vague idea of the polished product. Since there are so many controls and a lack of a frequency visualizer, this plugin can certainly be intimidating and time consuming for a beginner. However, a reference track on its own is extremely valuable, especially for something as nuanced as vocals, and when mastered, preFix is as effective as comparable costly VSTs.
GGate by GVST
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This plugin is as simple as it can get, but don’t let its minimal approach fool you- GGate is very powerful and is straightforward enough to be added to all kinds of vocals. The plugin consists of 3 knobs: The threshold, attack, and fade; Each pretty self-explanatory in their own right. GGate has a dry/wet meter so that the gated signal can be played alongside the unaltered signal. This opens the door to parallel processing for vocals, which can make a significant difference in the listener’s experience.
Moreover, the “fade” knob is suited to create subtle changes in the overall level of a vocal track. For those looking to give a more processed/clear sound to vocals, i.e those centered around commercial/pop genres, this plugin may prove to be insufficient. However, if you’re in a pinch or just need to eliminate a minute level of noise without being too obvious, you can’t beat the control offered by GGate.
Exciter VSTs
In the same way it is helpful to boost the preexisting high-end of vocals in order to bring the sound more upfront during mastering, exciters generate artificial/organic tones typically in the 3K range and above.
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Related post: Best Paid Exciter Plugins
Thrillseeker XTC by Variety of Sound
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This exciter is based around analog-style retro sounds and combines a traditional exciter/saturator with a 3-band EQ. Each set EQ range has a separate knob and bypass button so that different frequency ranges can be enhanced independently. This is particularly useful in scenarios where one is utilizing a vocal bus and wants to master an overall sound without emphasizing unwanted tones/frequencies.
The plugin has a “Mojo” and Drive section, catered to leveling out the amplitudes of generated frequencies running parallel to the dry vocal. Moreover, the VST can be switched in between blue or black versions depending on how precise an engineer desires the finished master to be. Thrillseeker in this way lends itself to a variety of genres and applications. Although it is somewhat limited in being linked to retro or vintage type sounds, the VST is absolutely worth a try at no cost.
BuzVintageMaxi by Buzzroom
Buzzroom has created a true exciter plugin with BuzVintageMaxi. The VST is very minimal, with two main knobs: gain and ceiling for the threshold level of the audio signal. The plugin is known for adding thick, warm sounds to any track it is applied to. This can be especially useful for mastering female vocals, where sometimes the upper register can lose warmth/low-end frequencies when translated to an audio signal. It has two included processing modes, normal and deep, to cater to the depth of harmonics applied to the signal.
Although this plugin cannot be used to master an entire vocal tracks alone due to its lack of complexity, it certainly produces a warm vocal within a short amount of time. It’s definitely worth a try, even just train your ears on what a warm/fat vocal should sound like.
Modern Exciter by Antress
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Antress has a number of strong plugins free for download on their website. Modern Exciter has a user interface resembling a standard rack mount and is not overly muddled by too many controls. Harmonics can be added to low or high frequencies and adjusted with their respective knobs. This lends itself well to mastering vocals as different voices will have different areas in which they need more widening depending on the frequency of the dry audio signal. Modern Exciter includes a VU meter, which especially lends itself to mastering since it helps display the average level of the processed signal.
If you want more of a retro sound, this VST has a built-in analog preset. Moreover, the VST processes in stereo and has separate left and right channels appropriately. The plugin does not have a whole lot of controls which may seem to limit to some, but it notably separates the high and low ends to organically fill in vocal frequency gaps.
Quick Tips For Mastering Vocals
In general, the mastering process involves adding the final polish to a preexisting mix. This includes leveling, preparing for distribution, and making sure that the project as a whole is cohesive. Let’s dive into a couple of tips that illustrate what that process is like for vocals.
#1. Keep Mixing and Mastering Separate
With any aspect of a song, especially vocals, it’s important that you’re giving the mixing and mastering processes their own space. This is because the philosophy behind mixing involves deep adding/subtracting, sometimes involving an entire rework of a track.
When you master, you are looking to polish and heighten the parts of something that is already complete. By keeping the two operations independent of one another, you allow for your vocals to be better thought out in terms of context (mixing) and the overall level/vibe of the song as a whole (mastering). A good master on a bad mix still produces a poor track. Therefore, make sure you do your homework before jumping into the world of mastering plugins- The real work comes out during mixing.
#2. Know your Vocals
What type of voice is presented on your track? What kind of frequency is it lacking? Is your vocal the focus of your song or more in the background? It’s vital that you consider these questions deeply before beginning the mastering process so that you have a clear roadmap to lead you down the right mastering path with plugins that fit accordingly.
#4. Use a Reference Track
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Vocals are by far the trickiest aspect of understanding audio engineering since they are so unique. It can be extremely helpful to use a reference track during the mastering process to get your vocal exactly where you desire. Moreover, so many of these free plugins include bypass features, sometimes for each separate band, which makes it easy to compare against your model track.
Best Free Mastering Vst Plugins
Mastering is the icing on top of the cake, not the cake itself, but that does not diminish its importance- especially with vocal tracks. A good master sets your music apart and is a mark of a seasoned producer. Try out one of these free vocal mastering VSTs on your next track to get you one step closer to the coveted warm, thick vocal our ears crave.